Soul Land turns to the Italian landscape as a field of pure chromatic and perceptual experience. Through an intensive work on light and colour, the Castelluccio plateau — one of the most ancient and elemental terrains of central Italy — is transformed into an abstract visual score. The familiar is estranged: what remains is colour as structure, light as form, land as something felt rather than seen.
Riflessi in Laguna uses the water of Venice's canals as an involuntary painter. Buildings, sky and stone — reflected and distorted by the movement of the lagoon — lose their architectural identity and become organic, fluid forms. Through selective work on contrast and saturation, the image is pushed toward the threshold between photography and painting, between the real and the purely visual. Venice is no longer a place: it becomes a surface in constant transformation.
